Wednesday, January 9, 2013

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Map Your Story With An Outline

When it comes to plotting my stories, I am definitely an outliner. I like to know ahead of time which direction my story is going in. Of course, I’m always open to change as well. Sometimes, the characters take things in a whole new direction than I’d originally planned. In that case, I simply adjust my outline to include those changes. Having an outline doesn’t mean it’s set in stone.

P. Bradley Robb, of prowritingtips.com, gives us five good reasons to outline our work


  • Establish clear motives
  • Separate major plot from minor plot
  • Spot plot inconsistencies before they show up
  • Enhance foreshadowing
  • Keep your story on track

You need to create the basic framework for your story to grow on, but not so much that it takes energy away from your work.

There are many different ways to do it. 


  • A traditional outline (with roman numerals)
  • Index cards
  • Spreadsheets
  • Special novel writing software
It can be as simple as a list of the story’s major plot points, if that’s what works for you. There really is no wrong way.

The outline is about what happens in the novel. It is about finding your story’s structure and sticking to it. It allows you to focus on what’s important in the story and keeps you from wandering off. Put in as much or as little as you need.

Author, N.M. Kelby, points us to the table of contents of Harry Potter And The Order Of The Phoenix, as a good example of the bones of an outline. It begins: One: Dudley Demented; Two: A Peck Of Owls; Three: The Advance Guard.

She says, “If you were J.K. Rowling, and this was your outline, all you’d have to do is write a short summary paragraph after the title of each chapter. In the first chapter you would tell us why Dudley is demented and make sure there bits in your description that set the action of the book in play. Then move on to the next chapter.”

It’s as simple as that.


What do you think about using an outline? Are you a planner or a pantser? 


-Kelly


(image by Simon Scott)

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